The week in classical: La clemenza di Tito; Current, Rising review – back to reality

The joy was being back. The sorrow, obligatory distancing leaving banks of seats empty, was to share the experience with so few. The Royal Opera House opened last Monday, the first day theatres could function again, with a new production of Mozart’s La clemenza di Tito (1791), conducted by Mark …

Read more

Related Articles

Back to top button